Maureen Thomas

• Thomas, Maureen & Stang, Bendik Windel (2022). A Serious Game for Cultural Heritage? I Bernardes, Oscar & Amorim, Vanessa (Red.), Handbook of Research on Promoting Economic and Social Development Through Serious Games. IGI Global. ISSN 9781799897323. s. 334–374. doi: 10.4018/978-1-7998-9732-3.ch016. Fulltekst i vitenarkiv Vis sammendrag

  Interactive video game-based storytelling explores medieval cultural heritage with particular emphasis on the role of girls

• Penz, François; Schupp, Janina; Thomas, Maureen & Flintham, Matthew (2022). Cinemusespace: A cinematic exploration of the minor magic of everyday life. I Penz, François & Schupp, Janina (Red.), The Everyday in Visual Culture: Slices of Lives. Routledge. ISSN 9781003107309. Fulltekst i vitenarkiv Vis sammendrag

  A searchable database of thousands of film clips reveals the everyday threads woven into the filmic fabric and classifies domestic spaces East and West.

• Thomas, Maureen (2021). Cinematic Forms and Cultural Heritage. I Mark, Breeze (Red.), Forms of the Cinematic: Architecture, Science and the Arts. Bloomsbury Academic. ISSN 9781501361425. s. 122–141. Fulltekst i vitenarkiv Vis sammendrag

  Video game technology used to tell intangible cultural heritage story through historical child-queen character

• Thomas, Maureen & Penz, Francois (2020). Cinematics in Architectural Practice and Culture: The Cambridge Project. I Troiani, Igea & Campbell, Hugh (Red.), Architecture Filmmaking. Intellect. ISSN 9781783209941. s. 335–356. Fulltekst i vitenarkiv Vis sammendrag

  Knowledge of cinematic narrativity, screen language and expressive narrative screen space are essential tools for the design, expression and communication of architectural projects using moving-image media.

• Speed, Chris; Thomas, Maureen & Barker, Chris (2017). Ghost Cinema app: temporal ubiquity and the condition of being in everytime. I Penz, Francois & Koeck, Richard (Red.), Cinematic Urban Geographies. Palgrave Macmillan. ISSN 9781137468307. s. 313–336. doi: 10.1057/978-1-137-46084-4_16. Fulltekst i vitenarkiv Vis sammendrag

  Smartphone or tablet give locative access to lost cinemas in Battersea, London, and show clips from feature films made around their locations.

• Penz, François; Reid, Aileen & Thomas, Maureen (2017). Cinematic Urban Archaeology: The Battersea Case. I Penz, Francois & Koeck, Richard (Red.), Cinematic Urban Geographies. Palgrave Macmillan. ISSN 9781137468307. s. 191–221. doi: 10.1057/978-1-137-46084-4_11. Fulltekst i vitenarkiv Vis sammendrag

  Feature films shot in Battersea, London provide detailed information on how the area has changed over the years, architecturally and in terms of its inhabitants.

• Prager, Phillip Andrew; Thomas, Maureen & Selsjord, Marianne (2015). Transposing, Transforming, and Transcending Tradition in Creative Digital Media. I Harrison, Dew (Red.), Handbook of Research on Digital Media and Creative Technologies. IGI Global. ISSN 9781466682054. s. 141–199. doi: 10.4018/978-1-4666-8205-4.ch008. Fulltekst i vitenarkiv Vis sammendrag

  Evaluating interactive, explorable virtual interpretations of cultural heritage

• Thomas, Maureen; Houtman, Coral & Barrett, Jennifer (2014). Making the Point? The Digital Media Dissertation. Journal of Applied Research in Higher Education. ISSN 2050-7003. 6(1), s. 98–118. doi: 10.1108/JARHE-02-2012-0011. Fulltekst i vitenarkiv Vis sammendrag

  Creating academically cogent essays and dissertations using audiovisual digital media

• Thomas, Maureen (2011). The Moving Image of the City: Expressive Space/Inhabitation/Narrativity: Intensive studio workshop on 'Continuity of Action in space'. I Penz, Francois & Lu, Andong (Red.), Urban Cinematics: Understanding Urban Phenomena through the Moving Image. Intellect Ltd.. ISSN 9781841504285. s. 281–310. Fulltekst i vitenarkiv
• Selsjord, Marianne; Thomas, Maureen & Zimmer, Robert (2010). Museum or Mausoleum?: Electronic Shock Therapy. I Lytras, Miltiadis D.; Pablos, Patricia Ordonez de; Damiani, Ernesto & Diaz, Lily (Red.), Digital Culture and E-Tourism: Technologies, Applications and Management Approaches. Information Science Reference. ISSN 9781615208678. s. 10–35. doi: 10.4018/978-1-61520-867-8.ch002. Fulltekst i vitenarkiv Vis sammendrag

  Interactive digital media can bring intangible cultural heritage to life as vivid and vibrant museum exhibits

• Thomas, Maureen (2009). Taking a Chance on Losing Yourself in the Game. Digital Creativity. ISSN 1462-6268. 20(4), s. 211–234. doi: 10.1080/14626260903290265. Fulltekst i vitenarkiv Vis sammendrag

  The interactive immersive digital media artistic game of chance, 'RuneCast', brings together four female artists/performers who interpret the Viking mythworld through explorable 3D art inspired by Viking-age aesthetics, combined with recorded reconfigurable performance of songs, video and authentic stories originally articulated (in the early middle ages) in a female voice.

• Thomas, Maureen (2008). Digitality and immaterial culture: what did Viking women think? International Journal of Digital Culture and Electronic Tourism. ISSN 1753-5212. 1(2/3), s. 177–191. Fulltekst i vitenarkiv Vis sammendrag

  The digital interactive audiovisual work, RuneCast, designed for installation-projection to supplement artefacts on display, suggests how digital media can be used to extend the museum visit.

• Ursu, Marian F.; Thomas, Maureen; Kegel, Ian; Williams, Doug; Tuomola, Mika & Lindstedt, Inger [Vis alle 12 forfattere av denne artikkelen] (2008). Interactive TV Narratives: Opportunities, Progress and Challenges. ACM Transactions on Multimedia Computing, Communications, and Applications (TOMCCAP). ISSN 1551-6857. 4(4), s. 1–39. doi: 10.1145/1412196.1412198. Fulltekst i vitenarkiv Vis sammendrag

  Should television do more than simply offer interactive services alongside (and separately from) traditional linear programmes, as its dominance is seriously challenged and threatened by interactive forms of screen media entertainment?

• Thomas, Maureen; M.F, Ursu,; I., Kegel,; D, Williams,; V, Zsombori, & M, Tuomola, [Vis alle 8 forfattere av denne artikkelen] (2008). Shapeshifting TV – interactive screen media narratives. Multimedia systems journal . 14(2), s. 115–132. Fulltekst i vitenarkiv Vis sammendrag

  The paradigm 'ShapeShifting TV' realises interactive TV narratives or, more generally, interactive screen-media narratives whose narrations respond on the fly (i.e. in real time) to interaction from active viewers.

• Thomas, Maureen; Ursu, Marian F.; Tuomola, Mika L.; Wright, Terence; Williams, Doug & Zsombori, Vilmos (2007). Interactivity and Narrativity in Screen Media. I McQuay, William & Smari, Waleed W. (Red.), Proceedings of the 2007 International Symposium on Collaborative Technologies and Systems. IEEE (Institute of Electrical and Electronics Engineers). ISSN 9780978569914. s. 227–232. Fulltekst i vitenarkiv Vis sammendrag

  The relationship between interactivity and narrativity in the context of screen-media, where by screen media is meant mainly time-based audio-visual material.

• Thomas, Maureen; Sussner, Julia & Richens, Paul (2006). Patterning Reconfigurable Narrative: Interactive Cinema as Architectural Elevation Within 3D Interactive Digital Environments. Digital Creativity. ISSN 1462-6268. 17(4), s. 243–256. Fulltekst i vitenarkiv Vis sammendrag

  This paper addresses the process of patterning reconfigurable video narrative by architectural theory, through a case-study of practice-based research on the interactive small-screen movie 'Gormenghast Explore'.

• Thomas, Maureen & Sussner, Julia (2005). Interactivity and Digital Environments: Designing a Storymap for Gormenghast Explore. I Subsol, Gerard (Red.), Virtual Storytelling. Using Virtual Reality Technologies for Storytelling: Third International Conference, ICVS 2005, Strasbourg, France, November 30 - December 2, 2005, Proceedings. Springer. ISSN 9783540305118. s. 284–287. Fulltekst i vitenarkiv Vis sammendrag

  This paper discusses the process of conceptualising and graphically mapping narrative into a 3D computer generated environment using the example of the experimental interactive televisual drama production of 'Gormenghast Explore'.

• Thomas, Maureen & Lohse, Ludvig (2005). Storytelling for the Small Screen: Traditional TV vs. Interactive Entertainment – Authoring and Producing Reconfigurable Screen Narrative for Sit-Back Enjoyment. I Subsol, Gerard (Red.), Virtual Storytelling. Using Virtual Reality Technologies for Storytelling: Third International Conference, ICVS 2005, Strasbourg, France, November 30 - December 2, 2005, Proceedings. Springer. ISSN 9783540305118. s. 219–222. Fulltekst i vitenarkiv Vis sammendrag

  This paper describes the concept development and practical application of tools for editing and reconfiguring video and sound to create and deliver personally tailored stories over broadband in real time.

• Thomas, Maureen (2005). Playing with Chance and Choice – Orality, Narrativity and Cinematic Media, Developing Interactive Narrative Content : sagas-sagasnet-reader. High Text Verlag. s. 371–442. Fulltekst i vitenarkiv Vis sammendrag

  Digital technology and widespread familiarity with the computer, with its inherent cinematic metaphors and structure, offer new ways of creating and enjoying engaging narrative performance: interactivity, participative and collaborative creation and electronic means to play with space and time. The hypermovie installation 'Vala's Runecast' exemplifies this emerging form of entertainment.

• Thomas, Maureen (2005). The power of Narrative: 2D, 3D, 4D, Power. Cambridge University Press. s. 51–76. doi: 10.1017/cbo9780511541407.005. Fulltekst i vitenarkiv Vis sammendrag

  How does cinematic screen language affect and engage us and how does it translate into interactive, small screen and very small screen media?

• Thomas, Maureen & Lohse, Ludvig (2004). Flexible Media: Producing Character-Based Reconfigurable Drama. Digital Creativity. ISSN 1462-6268. 15(2), s. 98–109. Fulltekst i vitenarkiv Vis sammendrag

  How can non-linear interactive cinematic/televisual stories be developed, distributed and accessed?

• Nitsche, Michael; Roudavski, Stanislav; Thomas, Maureen & Penz, François (2003). Drama and Context in Real-Time Virtual Environments: Use of Pre-Scripted Events as a Part of an Interactive Spatial Mediation Framework. I Göbel, Stefan; Braun, Norbert; Spierling, Ulrike; Dechau, Johanna & Diener, Holger (Red.), Technologies for Interactive Digital Storytelling and Entertainment. TIDSE Conference 2003. Proceedings. Fraunhofer IRB Verlag. ISSN 9783816762768. s. 296–310. Fulltekst i vitenarkiv Vis sammendrag

  How can the dramatically engaging mediation of an experience of place be built in as a fundamental capability of a compelling and meaningful virtual environment (VE)?

• Thomas, Maureen & Nitsche, Michael (2003). Stepping Back: Players as Active Participators. I Copier, Marinka & Raessens, Joost (Red.), Level Up: Digital Games Research Conference, 4-6 November 2003, Utrecht University. Proceedings. Utrecht University. Fulltekst i vitenarkiv Vis sammendrag

  Instead of confining the player to a single role, the active participator model positions the player in a more flexible position towards the fictional gameworld: involved and immersed in its various events without being limited to one role.

• Thomas, Maureen & Nitsche, Michael (2003). Stories in Space: the Concept of the Story Map. I Balet, Olivier; Subsol, Gerard & Torguet, Patrice (Red.), Virtual Storytelling. Using Virtual Reality Technologies for Storytelling: Second International Conference, ICVS 2003, Toulouse, France, November 20-21, 2003, Proceedings. Springer. ISSN 9783540205357. s. 85–94. doi: 10.1007/978-3-540-40014-1_11. Fulltekst i vitenarkiv Vis sammendrag

  While 3D space has become almost ubiquitous in computer games that apply narrative techniques, theoretical frameworks and practical experiments about the use of virtual space are underdeveloped compared to the number of works that deal with literary textual pieces such as MUDs. The notion of a 'Story Map' offers one element to fill this gap.

• Thomas, Maureen (2003). Screen Cities – Not All Bad? City: analysis of urban trends, culture, theory, policy, action. ISSN 1360-4813. 7(3), s. 400–410. Fulltekst i vitenarkiv Vis sammendrag

  Cities on screen are often represented as dystopian - but some productions buck the trend.

• Thomas, Maureen (2003). Beyond Digitality: Cinema, Console Games and Screen Language – the Spatial Organisation of Narrative. I Thomas, Maureen & Penz, François (Red.), Architectures of Illusion. Intellect Ltd.. ISSN 9781841502236. s. 51–134. Fulltekst i vitenarkiv Vis sammendrag

  With the advent of interactive narrativity in video games, is there a need for a new poetics of screen language?

• Thomas, Maureen; Nitsche, Michael; Roudavski, Stanislav & Penz, Francois (2002). Narrative expressive space. ACM SIGGROUP Bulletin. 23(2). Fulltekst i vitenarkiv Vis sammendrag

  Drama based on the development of characters and their relationships is an important engine for narrative. Drama can be a means of structuring the interaction between users and autonomous agents. Agent-and narrator-based approaches can both benefit by being imaginatively related to the spatial dynamic structure of the environment where they are located.

• Thomas, Maureen (2002). Vala's Runecast: Art/Design/Hypermovie. I BInder, Thomas; Gregory, Judith & Wagner, Ina (Red.), PDC 2002 : proceedings of the Participatory Design Conference : Malmö, Sweden, 23-25 June 2002. Computer Professionals for Social Responsibility. ISSN 9780966781823. s. 366–372. Fulltekst i vitenarkiv Vis sammendrag

  Practice-based research identifies and formulates the functions of art, aesthetics and design in the processes of content-creation, production and delivery and the participative, creative enjoyment of digital interactive hypermovie.

• Thomas, Maureen (2000). Utopias/Dystopias. I Coates, Stephen & Stetter, Alex (Red.), Impossible Worlds. Birkhäuser Verlag. ISSN 9783764363178. s. 161–173. Fulltekst i vitenarkiv Vis sammendrag

  The screens of cinema, television, computer and dedicated games-console are all the locus of illusory moving-image space.

• Thomas, Maureen (2000). Classics on the Screen – Why do we Do it? Ibsen on Screen. The Centre for Ibsen Studies, The Norwegian Film Institute. s. 17–37. Fulltekst i vitenarkiv Vis sammendrag

  Influential Irish playwright and critic George Bernard Shaw first made Ibsen famous in England with his 1891 critical study, 'The Quintessence of Ibsenism'. Shaw dreamt that cinema would replace theatrical illusionism with filmed actuality in both their works. He did not foresee that cinematic convention would change 19th-century drama on screen in unexpected ways.

• Davenport, Gloriana; Holmquist, Lars Erik & Thomas, Maureen (1998). Fun: a Creative Condition of Research. IEEE Multimedia. ISSN 1070-986X. 5(3), s. 10–15. doi: https:/mf.media.mit.edu/pubs/journal/Fun.pdf. Fulltekst i vitenarkiv Vis sammendrag

  What is the role of interactivity, and how can we integrate interactivity and stories? At the Viktoria Institute, Gothenburg, Sweden, the ‘Future of Fun’ workshop’s conditions proved a fertile breeding ground for creative research.

Se alle arbeider i NVA

• Thomas, Maureen & Penz, François (2003). Architectures of Illusion. Intellect Ltd.. ISBN 9781841502236. 214 s. Fulltekst i vitenarkiv Vis sammendrag

  What does the rapid development of digital technologies and computer-handled moving-image media in the 21st century mean for the relationship between traditional design processes, presentation formats, delivery platforms and media production?

Se alle arbeider i NVA

• Thomas, Maureen (2026). Cinema and Architecture - narrative expressive space. Fulltekst i vitenarkiv Vis sammendrag

  Cinema, as a quintessentially people-centric medium, can be construed as a form of urban modelling that complements traditional planning tools

• Thomas, Maureen (2026). Cinema as representation of urban environmant and inhabitation. Fulltekst i vitenarkiv Vis sammendrag

  Cinematic cities - people-centred explorations of urban life - make character-based fiction feature films an invaluable archive for the observation of inhabitation

• Thomas, Maureen & Daltry, Stephen Guy (2025). Tinderbox. Fulltekst i vitenarkiv Vis sammendrag

  Musical stagework. Hans Christian Andersen visits Charles Dickens at his family home in Kent, England, in 1857, when both were at the height of fame but all was not well in the Dickens household. Developed from the authors' personal letters, diaries and published works.

• Hanzl, Rafal & Thomas, Maureen (2025). AKERSHUS 1624-1648 Video Installation. doi: https:/akershus1648.extendedmedia.no. Fulltekst i vitenarkiv Vis sammendrag

  Video installation at the Akershus Castle and Fortress Visitor Centre, presenting the history of Akershus during the period 1624-1648. Based on the same historical, archaeological and architectural research as the interactive virtual model developed for Oslo's 400th anniversary (OSLOBYEN JUBILEUM 1624-2024), this version presents the content as a linear film displayed on screen. The project was developed in collaboration with researcher and video writer/director Maureen Thomas, with expert guidance from Akershus historian Tom Andersen. The work combines 3D reconstructions in Unreal Engine 5.3 with period paintings, coins, maps, and 2D animations, with a voice over commentary, to illustrate the lives of those who lived and worked within the fortress walls.

• Thomas, Maureen (2025). History, Legend, Genealogy - from Medieval to Digital Storytelling. Fulltekst i vitenarkiv Vis sammendrag

  The University of Cambridge's Department of Anglo-Saxon, Norse and Celtic was in the forefront of Cultural Heritage thinking, exploring links between the early cultures of the British Isles and reaching out to disseminate new knowledge to a wide audience. This paper reviews relationships between oral storytelling, medieval manuscript production and 21st century digital media.

• Thomas, Maureen (2024). Digital Creativity Special Issue: Practice-based research/practice as research. Fulltekst i vitenarkiv Vis sammendrag

  This issue publishes papers from the seminar, 'Research/Practice/Practice/Research' organised by CUMIS (Cambridge University Moving Image Studio) and ResCen, Middlesex Univerity, in association with CRASSH (Centre for Research in the Arts, Social Sciences & Humanities, University of Cambridge) and FUture Physical/Respond.

• Thomas, Maureen (2024). Queens Game Interactive HiStoryGame. Fulltekst i vitenarkiv Vis sammendrag

  'Queens Game' interactive storytelling research videogame is designed to appeal to female players both through the mode of play and the topic.

• Hanzl, Rafal & Thomas, Maureen (2024). Akershus 1624-1648 Interactive Exhibit. doi: https:/akershus1648.extendedmedia.no. Fulltekst i vitenarkiv Vis sammendrag

  An interactive virtual model of Akershus Castle and Fortress as it appeared in the 17th century, developed in commemoration of Oslo's 400th anniversary (OSLOBYEN JUBILEUM 1624-2024). The reconstruction was built in Unreal Engine, based on historical, archaeological and architectural research, with expert guidance from Akershus historian and curator Tom Andersen.

• Hanzl, Rafal & Thomas, Maureen (2023). Medieval Akersborg - Interactive Explorable Story Museum Exhibit. doi: https:/medievalcastle.extendedmedia.no. Fulltekst i vitenarkiv Vis sammendrag

  Interactive screen-based intangible cultural heritage exhibit

• Thomas, Maureen; SInger, Kariina Gretere Composer; Animation, Wenche Hellekås Concept Art 3D Character; Design, Sindre Lie 3D Art Environment; Design, Idunn Agústsdóttir Sound & Hanzl, Rafal [Vis alle 9 forfattere av denne artikkelen] (2022). QueensGame. doi: https:/runecast.net/queens-game/. Fulltekst i vitenarkiv Vis sammendrag

  Interactive video storygame featuring player-character Margrete Valdemarsdatter, child queen of medieval Norway and later sole sovereign of the Kalmar Union (Norway, Denmark, Sweden and their colonies).

• Hanzl, Rafal & Thomas, Maureen (2022). Medieval Akershus Castle - Interactive Museum Exhibit. doi: https:/medievalcastle.extendedmedia.no. Fulltekst i vitenarkiv Vis sammendrag

  Interactive 3D recreation of the medieval Akersborg castle developed for the international exhibition "Vår fru dronning Margrete - Our noble lady Queen Margrete" at the Visitor Centre, Norwegian Armed Forces Museum, Akershus Fortress and Castle, Oslo (March 2022 - September 2023). The exhibit allowed visitors to virtually explore the castle as it likely appeared during Queen Margrete's residence in the 14th century.

• Thomas, Maureen (2022). Interactive Storytelling: HiStoryGame - Queens Game. Fulltekst i vitenarkiv Vis sammendrag

  Intangible cultural heritage explorable HiStoryGame bringing together dramaturgy from game, film, costume drama and animated musical, set in the accurate Unreal Engine virtual recreation of medieval Akershus castle Norway.

• Hanzl, Rafal & Thomas, Maureen (2022). Medieval Akershus Castle Model Installation. doi: https:/extendedmedia.no/project/akershus-fortress-castle/. Fulltekst i vitenarkiv Vis sammendrag

  Large-scale 3D-printed model (120 x 80 x 40 cm) of the lost medieval Akersborg castle with projection mapping, coloured lighting, and digital signage. Created for the international exhibition "Vår fru dronning Margrete - Our noble lady Queen Margrete" at the Visitor Centre, Akershus Fortress and Castle, Oslo (March 2022 - September 2023), subsequently retained as a permanent installation. The castle was digitally sculpted in Autodesk Maya based on the architectural surveys of Holger Sinding-Larsen (1905-1924) and other scholarly sources, then 3D-printed through an iterative prototyping process. Projection mapping was employed to illustrate different theories about the castle's construction phases, with virtual cameras positioned in a digital replica of the exhibition space to ensure precise alignment of projected imagery with the physical model.

• Thomas, Maureen; Hanzl, Rafal; Gretere, Kariina; Agustsdottir, Idunn Snædis; Hellekås, Wenche & Lie, Sindre [Vis alle 7 forfattere av denne artikkelen] (2022). Songs from Akersborg Christmas 1363. doi: https:/filmskolen.no/en/research/artistic-research/queens-game. Fulltekst i vitenarkiv Vis sammendrag

  Intangible cultural heritage: composer/singer Kariina Gretere performs modern original songs telling medieval story, live, with projected 3D navigable castle 'set'

• Thomas, Maureen; Penz, François; Schupp, Janina; McLeod, Suzanne; Chen, Simone Shu-Yeng & Lu, Andong (2020). CineMuseSpace: A Cinematic Musée Imaginaire of Spatial Cultural Differences. Fulltekst i vitenarkiv Vis sammendrag

  Gallery installation and archived database comparing and contrasting cultural spatial differences deeply embedded in the cinematic image.

• Thomas, Maureen; Viduleja, Anna & Viduleja, Anna (2018). Homo Novus. Fulltekst i vitenarkiv Vis sammendrag

  Set in 1938, the film tells about young artist, Juris Upenajs, who comes to Riga to build his career.

• Thomas, Maureen; Thomas, Maureen; Sahlibegovic, Fahrudin; Composer, Bartosz Szafranski & Composer, Aris Lanaridis (2016). WE. Fulltekst i vitenarkiv Vis sammendrag

  Stage adaptation of the 1924 speculative fiction novel by Yevgeny Zamyatin

• Thomas, Maureen; 3DArtist, Marianne Selsjord; Singer, Kariina Gretere Composer & Thomas, Maureen (2015). Marvellous Transformations. Fulltekst i vitenarkiv Vis sammendrag

  Digital Art Installation

• Thomas, Maureen; Thomas, Maureen; Penz, Francois; Koek, Richard; Speed, Chris & Flintham, Matthew [Vis alle 7 forfattere av denne artikkelen] (2013). Ghost Cinema locative interactive app. doi: https:/www.youtube.com/watch?v=_jRJa5yCjEQ&t=78s. Fulltekst i vitenarkiv Vis sammendrag

  Locative exploration of Battersea, London through visiting lost cinemas and viewing fiction films of the area using a smartphone

• Thomas, Maureen; Dehn, Edmund & Daltry, Stephen Guy (2010). Museum or Mausoleum? doi: https:/gtr.ukri.org/projects?ref=AH%2FH018360%2F1. Fulltekst i vitenarkiv Vis sammendrag

  Staged dramatized reflections on changing attitudes to cultural heritage through time

• Thomas, Maureen; Singer, Kariina Gretere Composer; McGregor, Helen & 3DArtist, Marianne Selsjord (2010). Viking Seeress. doi: https:/gtr.ukri.org/projects?ref=AH%2FH018360%2F1. Fulltekst i vitenarkiv Vis sammendrag

  Adaptation of Viking-age myth poem Voluspaa for live digitally enhanced staging

• Thomas, Maureen; Ashbee, Brian; Gretere, Kariina & McGregor, Helen (2009). Vala's Runecast. Fulltekst i vitenarkiv Vis sammendrag

  Interactive video installation accessed through 3D navigable mythworld interface, offering Viking-age Mythology and Wisdom from the poems of the 'Edda', using chance operations.

• Thomas, Maureen; Ashbee, Brian; Gretere, Kariina & McGregor, Helen (2007). RuneCast. Fulltekst i vitenarkiv Vis sammendrag

  Interactive authentic Viking-age myth-based, spatially organised, reconfigurable music, song and video accessed via 3D mythworld interface over broadband

• Sussner, Julia & Thomas, Maureen (2007). Gormenghast Explore. Fulltekst i vitenarkiv Vis sammendrag

  Reconfigurable interactive adaptation of TV drama miniseries

• Thomas, Maureen; Kekoni, Petri & Liedes, Anna Kaisa (2006). RunoTanssi. Fulltekst i vitenarkiv Vis sammendrag

  Live dance performance inspired by Finnish mythology and traditional sung tales.

• Thomas, Maureen & Lohse, Ludvig (2006). Gods in the Sky Choice. Fulltekst i vitenarkiv Vis sammendrag

  Adaptation for reconfigurable interactive television access via broadband of the miniseries 'Gods in the Sky' (Wag TV/Channel 4).

• Thomas, Maureen (2004). Practice based Research. Digital Creativity. ISSN 1462-6268. 15(1), s. 1–1. Fulltekst i vitenarkiv Vis sammendrag

  Presentation of papers contained in Special Issue: Practice-based research/practice as research

• Thomas, Maureen (2004). Practice-based research. Digital Creativity. ISSN 1462-6268. 15(1), s. 1–1. Fulltekst i vitenarkiv Vis sammendrag

  Practice-based research and practice-as-research occupy a borderland between the academy, commercial R & D and the cultural industries. Can practice-based research in a university environment create work of real aesthetic merit and true research value? Can artistic and performance practice developed within the framework of industrial R & D or the academic world be truly groundbreaking?

• Thomas, Maureen & Einarsdottir, Halla (2004). Tales of our Forebears - 1000 years of Viking Mythology. Fulltekst i vitenarkiv Vis sammendrag

  How is Old Norse-Icelandic mythological poetry relevant to today?

• Thomas, Maureen & Gjedde, Lisa (2003). Sir Gawain. Fulltekst i vitenarkiv Vis sammendrag

  Interactive animation based on the 14th-century Middle English Arthurian poem, 'Sir Gawain and the Green Knight', with an assistive technology interface.

• Thomas, Maureen; Gretere, Kariina; McGregor, Helen; Thorsdottir, Vala & Ashbee, Brian (2003). Songs of Vala. Fulltekst i vitenarkiv Vis sammendrag

  Live performance of the Viking-age song cycle 'Voluspaa' (the 'Farsight of the Seer').

• Thomas, Maureen; Lambert, Tim & TV, Wall to Wall (2002). Ice World. Fulltekst i vitenarkiv Vis sammendrag

  Following an Ice-age family through time and across Europe as humans develop new survival strategies, skills and social organisations to cope with extreme climate change.

• Thomas, Maureen (2001). Alice. Fulltekst i vitenarkiv Vis sammendrag

  Music Theatre adaptation from Lewis Carroll's 'Through the Looking Glass'

• Thomas, Maureen; Gretere, Kariina; McGregor, Helen; Ashbee, Brian & Lohse, Ludvig (2000). Vala. Fulltekst i vitenarkiv Vis sammendrag

  Interactive video installation combining chance and choice.

• Thomas, Maureen & Penz, François (2000). Architects of the Moving Image. Viewfinder (journal of the British Universities Film & Video Council). doi: https:/discovered.ed.ac.uk/discovery/fulldisplay?vid=44UOE_INST%3A44UOE_VU2&docid=alma9918306293502466&context=L. Fulltekst i vitenarkiv Vis sammendrag

  As digital technology brings the creative use of moving-image media (film, video, 3D computer models and navigable environments) closer together, so the theory and practices of architecture and screen media converge fruitfully.

• Thomas, Maureen (2000). Do We Need Script Consultants? Land og synir. doi: https:/timarit.is/page/6933843. Fulltekst i vitenarkiv Vis sammendrag

  How helpful is it for National Film Institutes to appoint expert script consultants to help writers, directors and producers to develop their films?

• Thomas, Maureen (2000). Shooting Day for Night - What is a National Film? Land og synir. doi: https:/timarit.is/page/6933859. Fulltekst i vitenarkiv Vis sammendrag

  How far is it desirable or commercially viable for small nations (like the Nordic countries) to make films in their own languages primarily for their own populations?

• Thomas, Maureen; Leach, Composer Rachel & Davies, Jo (2000). Lombroso. doi: https:/www.uktw.co.uk/archive/London/Royal-Opera-House/Dance/About-Face/L022557777/. Fulltekst i vitenarkiv Vis sammendrag

  Segment of opera 'About Face', music Rachel Leach

• Thomas, Maureen & Teigen, Translator Lene Therese (2000). Kreativt media i den e-tidsalder. Norsk dramatisk årbok. ISSN 0807-6693. 2000, s. 26–41. Fulltekst i vitenarkiv Vis sammendrag

  Datamaskinen er foranderlighet, slik kan den opptre som en maskin eller som et språk som kan formes og utforskes. Det adrenalin-drevne handlingsorienterte spillene henvender sig bare til et lite utvalg av de menneskene i verden som potensielt søker historier å engasjere seg i.

• Thomas, Maureen; Eide, Sirin & Vassdal, Kjell (1996). Aldri Mer 13! Fulltekst i vitenarkiv Vis sammendrag

  Coming-of-age feature film following the ups and downs of two 13-year old girls in Oslo, Norway.

• Thomas, Maureen (2022). Queens Game Interactive Storytelling Research. research catalogue. doi: https:/www.researchcatalogue.net/view/1223799/1511899. Fulltekst i vitenarkiv Vis sammendrag

  'Queens Game’ HiStoryGame researches the potential of the computer as medium for the art of interactive dramatic game-storytelling, inspired by pre-literate spatially-organised dramaturgies and medieval visual, musical and narrative modes.

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