Kai Arne Hansen is associate professor of music in the Department of Art and Cultural Studies. He holds a PhD in critical musicology from the Department of Musicology, University of Oslo, and his research interests include popular music and identity, gender and sexuality, contemporary media, audiovisual aesthetics, and the musical cultures of children. Hansen is currently working on a monograph that addresses masculinities in contemporary pop music (Oxford University Press, forthcoming), and is editor-in-chief of the Norwegian Journal of Musicology, the primary forum for the publication of musicological research in Norway.
Forthcoming: Hansen, Kai Arne, Eirik Askerøi and Freya Jarman (eds.). Popular Musicology and Identity. London: Routledge.
2019: Braae, Nick and Kai Arne Hansen (eds.). On Popular Music and Its Unruly Entanglements. New York: Palgrave Macmillan.
2019: Hansen, Kai Arne. (Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities. Twentieth-Century Music 16 (3): 501-529.
2019: Hansen, Kai Arne. The ambiguity of 'new' masculinities: Zayn Malik and disordered eating. Celebrity Studies, Forum. Advance online publication.
2018: Hansen, Kai Arne. Sangfoni : Magisk realisme, leken læring og identitetsutforsking i barns audiovisuelle musikkultur. [Sangfoni: Magical Realism, Playful Learning and Exploring Identity in Children’s Audiovisual Music Culture]. Studia Musicologica Norvegica: Norwegian Journal of Musicology 44 (1): 102–117.
2018: Hansen, Kai Arne. Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape of Zayn’s Pillowtalk. Popular Music and Society 41 (2): 194–212.
2018: Hansen, Kai Arne and Stan Hawkins. Azealia Banks: 'Chasing Time', Erotics, and Body Politics. Popular Music 37 (2): 157–174.
2017: Hansen, Kai Arne. Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé’s Partition. Popular Music and Society 40 (2): 164–180.
2019: Hansen, Kai Arne. It's a Dark Philosophy: The Weeknd's Intermedial Aestheticization of Violence. In On Popular Music and Its Unruly Entanglements, edited by Nick Braae and Kai Arne Hansen, 235–255. New York: Palgrave Macmillan.
2017: Hansen, Kai Arne. Holding on for Dear Life: Gender, Celebrity Status, and Vulnerability-on-Display in Sia’s ‘Chandelier’. In The Routledge Research Companion to Popular Music and Gender, edited by Stan Hawkins, 89–101. New York: Routledge.